I’m working on a new orange still life at the moment.
Again this is on home-made board and uses the following palette:
Titanium white, lemon yellow, cadmium yellow, yellow ochre, burnt sienna, alizarin crimson and ultramarine blue.
The first stage was to roughly paint the outline of the orange halves with yellow ochre and Sansodor.
I then made a mix of burnt sienna, ultramarine blue and alizarin for the background and added Sansodor and linseed oil to make it flow. To this I mix a little fast drying gel.
I then roughly approximate the tones and colour of the orange. At this point I have already established my lightest and darkest areas which give me a stable platform for the other tones or values in the painting.
After this layer has dried I go over it again and try to deepen the colours.
I add a small amount of my Sansodor/Linseed mix which makes this layer slightly glaze-like and enhances the colours underneath rather than paint over them completely.
It now needs a few finishing touches which can be applied once it dries.









I start off by diluting a suitable colour with sansodor or turps and painting in the basic shapes. I don’t do this with much accuracy. It’s a quick process just to establish positions on the canvas.
I mix my colours more carefully at this point and concentrate on getting the colour and tone I want.





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